Sep 4, 2019

One of England’s greatest composers, William Byrd is a
fascinating and complicated figure of Catholic musical history. A
musician in the Royal Chapel of Queen Elizabeth, he associated with
the highest ranks of the Anglican establishment while writing music
on the side for secret Catholic masses. In this first of two
episodes on Byrd, singer and scholar Kerry McCarthy sets Byrd in
the context of the musical and religious upheavals of
post-Reformation England. She discusses how he navigated English
court circles as well as his secret Catholic activities, including
his three masses.

In this episode you will hear the following pieces by Byrd (all
used with kind permission from the groups named):

Fantasia #2 for consort, performed by The Rose Consort of Viols
on Byrd: Consort and Keyboard Music, Songs and
Anthems https://www.amazon.com/Voces8-Tapestry-BRUCKNER-BYRD-MONTEVERDI/dp/B006UTDFE8

Rejoice Unto the Lord, performed by The Rose Consort of Viols
with Tessa Bonner on the same album

Agnus Dei from the Mass for four voices, performed by VOCES8
on A Choral Tapestry https://www.amazon.com/Voces8-Tapestry-BRUCKNER-BYRD-MONTEVERDI/dp/B006UTDFE8

Agnus Dei from the Mass for five voices (Gesualdo
Six) https://www.youtube.com/watch?v=PWFjvqNHgEY

Links

Kerry McCarthy, Byrd https://global.oup.com/academic/product/byrd-9780195388756?cc=us&lang=en&

Interview with Barnaby Smith of VOCES8 https://www.catholicculture.org/podcast/index.cfm?id=24

VOCES8 http://www.voces8.com/

The Gesualdo Six https://www.thegesualdosix.co.uk/

The Rose Consort of Viols https://www.alisoncrum.myzen.co.uk/roseconsortweb/index.htm

This podcast is a production of CatholicCulture.org. If you like
the show, please consider supporting us! http://catholicculture.org/donate/audio